T.s eliot the wasteland - a game of chess

The Waste Land. It does not include a character by the name of Freddy. Wasteland by Alan paston. The Waste Land study guide contains a biography of T. Eliot, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis. The Waste Land literature essays are academic essays for citation.

These papers were written primarily by students and provide critical analysis of The Waste Land. Remember me.

Forgot your password? Buy Study Guide. Wasteland as a collage image. Related Books Free with a 30 day trial from Scribd. Dry: A Memoir Augusten Burroughs. Related Audiobooks Free with a 30 day trial from Scribd. S Eliot is a bitter attempt todemonstrate the struggle in relationships as a reflection of the break-down of society. What we witness are decaying and ultimately lonely unions, filled via images of violence and death.

This sets the tone that the relationships they are about to uncover are claustrophobic and disconcerting; the longing for death braces us for the desperation and struggle which we will uncover here. They had one of the most romantic, sweeping relationships within literature, however everything backfired after Cleopatra made a fatal mistake, Anthony, her lover, dies in her arms and she later commits suicide with the venom of an asp.

The image of Cupid, the god of love in roman mythology, adds to the bizarre relationship. Eliot: The ModernistIn History p. Eliot The WasteLand p. We are exposed to voyeurism; they are watching an intimate scene uninvited and by extension so are we. The fact that they are hiding suggests that the scene they are witnessing is explicit, making the reader uncomfortable and unnerved. The structure of this verse represents the uncontrollable cloud of perfume relating to having no control in the relationship, which makes her submissive.

This is disturbing; the Greek myth is a terrible story of violence and rape. The reader feels that the relationship which we are inspecting in this section is definitely on course to fail, and will not end happily, the window connotes a mirror image of her own relationship and how she is close to becoming Philomel.

The first speech in this section is from this mysterious woman and only her, she seems to want her lover to respond to her, have a conversation, anything, but he does not reply.

The reader sees the element of loneliness, and begins to feel sorry for the unknown woman. Annie Haigh link to World War One where men who fought in the trenches were killed and their bodies were left, untouched; this is a hint to the decaying relationship between this couple, and also how society is changing and falling, leaving and forgetting the past.

There was nothing, just like how Eliot feels about his marriage. This section illustrates the struggle of relationships within the poem, and realistically shows us how the break-down of society can render this; the connection to World War One reflects how society was falling apart and how, because of the loss of men, it became known as the lost generation, the majority of relationships failed because one half of it had wasted away, creating a personal waste land.

Notice that Eliot is using a British vernacular: By this point he had moved to England permanently and had become a confirmed Anglophile. Although Eliot is able to produce startlingly beautiful poetry from the rough speech of the women in the bar, he nevertheless presents their conversation as further reason for pessimism. Their friend Lil has done everything the right way—married, supported her soldier husband, borne children—yet she is being punished by her body.

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Summary This section takes its title from two plays by the early 17 th-century playwright Thomas Middleton, in one of which the moves in a game of chess denote stages in a seduction.

Form The first part of the section is largely in unrhymed iambic pentameter lines, or blank verse. Commentary The two women of this section of the poem represent the two sides of modern sexuality: while one side of this sexuality is a dry, barren interchange inseparable from neurosis and self-destruction, the other side of this sexuality is a rampant fecundity associated with a lack of culture and rapid aging.