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Joe Strummer was a ball of rage and ambition when he and the rest of The Clash laid down the tracks for their debut album. Not this band. Each one opens with a kind of motif upon which multiple textures build and sprawl outwards — sleazy guitar hooks, G-funk whines and glittering synths.

They brought theatricality to the Sixties music scene and went onto inspire as broad a range of artists as The Stranglers to Skrillex. His background as a producer was obviously beneficial to his own debut, at a time where hip hop sampling was being accused of being too safe. Lauryn Hill raised the game for an entire genre with the immense and groundbreaking record, The Miseducation of Lauryn Hill.

Its sonic appeal has a lot to do with the lo-fi production and warm instrumentation, often comprised of a low thrumming bass, tight snares and doo-wop harmonies.

Boy in da Corner goes heavy on cold, uncomfortably disjointed beats, synths that emulate arcade games and police sirens, and Dizzee himself delivering bars in his trademark, high-pitched squawk. Few artists release something so assertive as this — a statement of intent to middle America that demanded they fight for their right to party. The rapper Notorious BIG, born Christopher Wallace, had been taking part in rap battles around Fulton Street, Brooklyn since he was 13 years old, but it was only at the urging of his friends that he quit a lucrative drugs operation and devoted himself to music.

The things he witnessed and experienced were poured into Ready to Die — one of the best debut albums in hip hop — delivered in his signature throaty vocals with wit and humour.

NWA unveiled their cold, menacing sound on a debut record that heralded the beginning of gangsta rap and also launched the careers of Dr Dre, Eazy-E and Ice Cube. Few debuts have changed the course of rock music as Hendrix did with his.

She was a poet, who wanted to capture the literary genius of her idol Arthur Rimbaud and channel it via the raw passion of an artist like Jimi Hendrix. How good can rap get? This good. There are albums where the myth can transcend the music; not on Illmatic where Nas vaulted himself into the ranks of the greatest MCs in , with an album that countless artists since have tried — and failed — to emulate.

Nas used the sounds of the densley-populated New York streets he grew up on. Unknown Pleasures is unlike any album that had been created before it — or indeed any album since. You can find a ranking of the best album covers of all time here. Keanu Reeves told Stephen Colbert on Wednesday which of those celebrities accompanied their signature with a cheeky "F you!

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Jimmy: My mum has photos of me holding a garden hose and singing into it in front of the whole family when I was four years old! Were you happy with the response to that song? Jimmy: It was good because we used the Wog Boy film as a springboard to release the song and it was a fairly successful film, so we were pretty happy with that. Jimmy: They were looking for covers at the time and apparently Michael Parisi, who was responsible for putting together the soundtrack with Nick Giannopolous, heard my song and thought that it would be really perfect for the end scene and before you know it, I was sitting there watching it and it was amazing.

What prompted you to leave the band? Jimmy: Just musical differences really. So I thought I had to go my own way, which was a very difficult decision to make but I'm very happy with how everything has turned out. GIRL: I can imagine it would have been very scary leaving the band not knowing what the future was going to hold next? Jimmy: Yeah it was scary because we spent about three years writing and developing together and then it was time for me to pack up and go.

Jimmy: "Rainbow Eyes" is more of a true reflection of what I'm really about. Once again it's a feel-good track whereas the first single was more of a power ballad and it worked really well with the film. But "Rainbow Eyes" is probably the first chance that we had to release a song and we thought that this was the one.

GIRL: Is this an indication of what your debut album will sound like? Jimmy: It is, very much so. Definitely feel-good tracks that you can play in the car and tap along to.

Do you like experimenting with different sounds? Jimmy: I do actually and if you've seen the film clip we played with the Middle Eastern theme again.

It works really well, it's a different kind of sound - it's really fresh. GIRL: Who would you list as your musical influences?

Jimmy: I have a few because I write my own stuff as well. But then again, my favourites are Michael Jackson and Madonna. GIRL: Is it important for you to be part of the writing process as opposed to singing somebody else's songs? Jimmy: Yes it is very important; I mean you get a bigger buzz out of it anyway. If you've got the talent to write and go out there and perform your own stuff, it's so much of a return. It's just a really big buzz especially when you see people dancing and really getting into your song.

GIRL: Not only do you sing and write extremely well, but you also play the guitar.



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